Upper Antelope Canyon

Southern Utah and Northern Arizona are home to dozens of slot canyons and none are more famous for photographers than Upper and Lower Antelope Canyons. Located on Navajo land just a few miles outside of Page, Arizona, tourists from around the world flock to these sites as they travel around the Southwest.

The two slot canyons are seperated by just a few miles. Upper Antelope, the more popular, is a relatively flat hike, then back out the same way. It gets very crowded in the summer. The canyon is up to 120 feet deep in places and is known for the beams of light than illuminate the inside of the canyon around midday. In addition to the regular tours, the Navajo operators run special tours for photographers where they ensure everyone is positioned in the right spots as the beams begin to appear. Squeezed tightly together are lines of people kneeling and others directly above them as the legs of their tripods intersect. The guides then throw shovels full of sand into the air to better highlight the beams and dozens of photographers start clicking away like mad. It's possibly the most stressful experience I've had photographing something yet I can't ever remember getting so many good images in so short a period of time 

The canyons are formed when flash floods hit and over many thousands of years the runoff carves the soft Navajo sandstone into amazing twisted passageways. During really heavy storms water will fill the entire canyon. Since seventeen tourists were killed in 1997, warning systems are now in place to allow evacuation when rainstorms threaten the area, and emergency ladders can be dropped down if necessary. 

Lower Antelope Canyon

Lower Antelope Canyon is more fun to visit and a little more challenging as it requires navigating by going up and down a series of ladders. As a result, the crowds here are a little lighter than at Upper Antelope. It's a very narrow one way hike and though it lacks the dramatic light beams of Upper Antelope it easily makes up for that with plenty of beautiful colorful formations to photograph. I timed my visits here for first thing in the morning and had the canyon all to myself for quite a while until the crowds started trickling in. My excellent guide directed me around the best areas while he played Native American songs on his homemade flute.  

Since the canyons are relatively dark, properly photographing them to capture all the details requires a tripod. But you can also get pretty good photos using a hand held approach or even with an iPhone (set it to chrome for the best results). The guides know the most photogenic locations within the canyons and will even adjust your camera settings and take pictures for you. So even if you are a terrible photographer you are bound to come away with some great images.

If you are planning a trip to the Grand Canyon, Zion or Bryce try to make time for a visit to one, or both of these incredible places. And for a similar experience without the crowds try nearby Rattlesnake, Owl or Mountain Sheep Canyons, or one of many other slot canyons in Southern Utah. You won't be disappointed.

Contact:  Upper Antelope: www.navajoantelopecanyon.com   Lower Antelope: www.lowerantelope.com

Just a few miles outside of Page, Arizona, the Colorado River takes a large curve before heading south and west toward the Grand Canyon proper.  A short hike from the parking lot on Hwy 89 takes you to the edge of a 1,000 foot cliff overlooking Horseshoe Bend, one of the most iconic views of the American Southwest.

Trying to take a good photograph of it is difficult. Hundreds of tourists walk away every day with images that look nothing like they remember the view to be. So let's look at what they are doing wrong.

The human eye has a remarkable ability to adjust to varying light conditions as our pupils expand and contract. At sunset, Horseshoe Bend is in dark shadow and the sky is very bright. When we look down our eyes quickly adjust and we can see lots of details in the rocks and water. Likewise, when we look up at the sky the same thing occurs and we can quickly pick up the details in the clouds.

A camera does not have this same ability to handle extremes in lighting, so one of two things happens when we try to take a typical shot of this scene - either the sky comes out looking good but the canyon is too dark, or the canyon is exposed properly and the nice details of the orange clouds get washed out. If you have ever taken a picture of someone standing indoors in front of a bright window the same thing happens, unless you use a flash.

There are a couple of ways to work around this issue.

Graduated Filters - For just a few dollars you can purchase a graduated filter which is a simple way to correct these types of extreme lighting issues.

This filter has a clear portion and a darkened area and you simply position the dark area so it lines up with the horizon, darkening the bright sky and compressing the range of light to a level the camera can work with. The evening I shot this picture of Horseshoe Bend the lighting range was so extreme I had to stack two of these filters together to get the exposure just right. Graduated filters don't work in all circumstances since you have to have a straight horizon for them to produce the right effect. But they are great for things like sunset pictures when you are at the beach. 

Image Blending (HDR) - Most high end cameras have a bracketing function which allows a series of three photos to be taken in quick succession. There is a standard exposure, an overexposed one and an underexposed one. You can then use various software programs like Photomatix to blend the best attributes of the three images, resulting in a picture in which both the highlights and shadows look good. If you have an iPhone 6 you may have noticed a HDR setting on your camera app. It uses this exact process without the need for editing photos after the fact and it works pretty decently. HDR is a good alternative to graduated filters in situations where there is not a clear horizon line, for example, images of cityscapes or mountain ranges.

Next time you find yourself wanting to take a picture with an extreme range of light try one of these techniques, or just put away your camera and use your iPhone.